Don Redman

Dewey Redman (born Walter Dewey Redman in Fort Worth, Texas, May 17, 1931; d. Brooklyn, New York, September 2, 2006) was an American jazz saxophonist, known for performing free jazz as a bandleader, and with Ornette Coleman and Keith Jarrett.

Redman played mainly tenor saxophone, though he occasionally doubled on alto saxophone, played the Chinese suona (which he called a musette) and on rare occasions played the clarinet.

His son is saxophonist Joshua Redman, and he was the nephew of legendary big band arranger Don Redman.

Biography
Redman attended I.M. Terrell High School, and played in the school band with Ornette Coleman, Prince Lasha and Charles Moffett. After high school, Redman briefly enrolled in the electrical engineering program at the Tuskegee Institute in Alabama, but became disillusioned with the program and returned home to Texas. In 1953, Redman earned a Bachelors Degree in Industrial Arts from Prairie View Agricultural and Mechanical University. While at Prairie View, he switched from clarinet to alto saxophone, then, eventually, to tenor. Following his bachelor's degree, Redman served two-years in the US Army.

Upon his discharge from the Army, Redman began working on a master’s degree in education at the University of North Texas. While working on his degree, he taught music to fifth graders in Bastrop, Texas, and worked as a freelance saxophonist on nights and weekends around Austin, Texas. In 1957, Redman earned a Masters Degree in Education with a minor in Industrial Arts from the University of North Texas. While at North Texas, he did not enroll in any music classes.

Towards the end of 1959, Redman moved to San Francisco, a musical choice resulting in an early collaboration with clarinetist Donald Rafael Garrett.

Redman was best known for his collaborations with saxophonist Ornette Coleman, with whom he performed in his Fort Worth high school marching band. He later performed with Coleman from 1968 to 1972, appearing on the recording New York Is Now, among others. He also played in pianist Keith Jarrett's American Quartet (1971–1976), and was a member of the collective Old And New Dreams. The American Quartet's The Survivor's Suite was voted Jazz Album of the Year by Melody Maker in 1978.

He also performed and recorded as an accompanying musician with jazz musicians who performed in varying styles within the post-1950s jazz idiom, including bassist and fellow Coleman-alum Charlie Haden and guitarist Pat Metheny.

With a dozen recordings under his own name Redman established himself as one of the more prolific tenor players of his generation. Though generally associated with free jazz (with an unusual, distinctive technique of sometimes humming into his saxophone as he played), Redman's melodic tenor playing was often reminiscent of the blues and post-bop mainstream. Redman's live shows were as likely to feature standards and ballads as the more atonal improvisations for which he was known.

Redman was the subject of an award-winning documentary film Dewey Time (dir. Daniel Berman, 2001).

On February 19 and 21, 2004, Redman played tenor saxophone as a special guest with Jazz at Lincoln Center, in a concert entitled "The Music of Ornette Coleman." Reviewing the performance, Howard Mandell, wrote: ".. Redman, a veteran of Coleman's bands, played on "Ramblin'" and "Peace", demonstrating more originality, maturity and conviction than anyone else on the bandstand."

Redman died of liver failure in Brooklyn, New York, on September 2, 2006. He is survived by his wife, Lidija Pedevska-Redman, as well as sons Tarik and Joshua, who is also a jazz saxophonist. The father and son recorded two albums together.

As leader

 * 1966: Look for the Black Star (Freedom)
 * 1969: Tarik (BYG Actuel)
 * 1973: The Ear of the Behearer (Impulse!)
 * 1974: Coincide (Impulse!)
 * 1975: Look for the Black Star (Arista Freedom)
 * 1979: Musics (Galaxy)
 * 1979: Soundsigns (Galaxy)
 * 1980: Red and Black in Willisau with Ed Blackwell (Black Saint)
 * 1982: The Struggle Continues (ECM)
 * 1989: Living on the Edge (Black Saint)
 * 1992: Choices (Enja)
 * 1992: African Venus (Evidence)
 * 1996: In London (Palmetto)
 * 1998: Momentum Space (Verve) with Cecil Taylor and Elvin Jones

With Old and New Dreams
 * Old and New Dreams (Black Saint, 1976)
 * Old and New Dreams (ECM, 1979)
 * Playing (ECM, 1980)
 * A Tribute to Blackwell (Black Saint, 1987)

As sideman
With Jon Ballantyne With Ed Blackwell With Michael Bocian With David Bond With Cameron Brown With Jane Bunnett With Don Cherry With Ornette Coleman With Anthony Cox With Charlie Haden's Liberation Music Orchestra With Keith Jarrett With Leroy Jenkins With Pat Metheny With Paul Motian With Roswell Rudd & The Jazz Composer's Orchestra '''With Clifford Thornton & The Jazz Composers Orchestra With Randy Weston With Matt Wilson
 * 4tets (Real Artist Works, 2000)
 * Walls-Bridges (Black Saint, 1992)
 * Reverence (Enja 1994)
 * The Key of Life (Vineyard)
 * Here and How! (OmniTone, 1997)
 * In Dew Time (Dark Light, 1988)
 * Radio Guantánamo: Guantánamo Blues Project, Vol. 1 (Blue Note, 2006)
 * Relativity Suite (JCOA, 1973)
 * New York Is Now! (Blue Note, 1968)
 * Love Call (Blue Note, 1968)
 * Crisis (Impulse!, 1969)
 * Friends and Neighbors: Live at Prince Street (Flying Dutchman, 1970)
 * The Belgrade Concert (Jazz Door, 1971)
 * Science Fiction (Columbia, 1971)
 * Broken Shadows (Columbia, 1971-2 [1982])
 * Dark Metals (Polygram, 1991)
 * Liberation Music Orchestra (Impulse!, 1970)
 * The Ballad of the Fallen (ECM, 1982)
 * Dream Keeper (Blue Note, 1990)
 * El Juicio (The Judgement) (Atlantic, 1971)
 * Birth (Atlantic, 1971)
 * Expectations (Columbia, 1972)
 * Fort Yawuh (Impulse!, 1973)
 * Treasure Island (Impulse!, 1974)
 * Death and the Flower (Impulse!, 1974)
 * Backhand (Impulse!, 1974)
 * Shades (Impulse!, 1975)
 * Mysteries (Impulse!, 1975)
 * The Survivors' Suite (ECM, 1976)
 * Bop-Be (Impulse!, 1977)
 * Eyes of the Heart (ECM, 1979)
 * For Players Only (JCOA, 1975)
 * 80/81 (ECM, 1980)
 * Monk in Motian (JMT, 1988)
 * Trioism (JMT, 1993)
 * Numatik Swing Band (JCOA, 1973)
 * The Gardens of Harlem (JCOA, 1975)
 * Spirits of Our Ancestors (Antilles, 1991)
 * As Wave Follows Wave (Palmetto, 1996)