Milt Hinton

Milton John "Milt" Hinton (June 23, 1910 – December 19, 2000), "the dean of jazz bass players," was an American jazz double bassist and photographer. He was nicknamed "The Judge".

Biography
Hinton was born in Vicksburg, Mississippi, where he resided until age eleven when he moved to Chicago, Illinois. He attended Wendell Phillips High School and Crane Junior College. While attending these schools, he learned first to play the violin, and later bass horn, tuba, cello and the double bass. As a young violinist out of school, he found gainful employment as a bassist. He later recounted in interviews, released in 1990 on Old Man Time, how this prompted him to switch to double bass.

In the late 1920s and early 1930s, he worked as a freelance musician in Chicago. During this time, he worked with famous jazz musicians such as Jabbo Smith, Eddie South, and Art Tatum. In 1936, he joined a band led by Cab Calloway. Members of this band included Chu Berry, Cozy Cole, Dizzy Gillespie, Illinois Jacquet, Jonah Jones, Ike Quebec, Ben Webster, and Danny Barker.

Hinton possessed a formidable technique and was equally adept at bowing, pizzicato, and "slapping," a technique for which he became famous while playing with the big band of Cab Calloway from 1936 to 1951. Unusually for a double bass player, Hinton was frequently given the spotlight by Calloway, taking virtuose bass solos in tunes like "Pluckin' the Bass."

As well as being a famous Jazz musiciain, Hinton at the same time, worked as a studio musician. he was part of a large group of studio musicians who played on dozens of hit records written by songwriters who worked at the Brill Building. he was responsible for the opening bass line on the Drifters "Under the Boardwalk" as well as playing on dozens of hits recorded by Neil Sedaka and many others.

Hinton played a rare Gofriller Double Bass during his latter career. The bass was in pieces in a cellar in Italy and a musical agent arranged the purchase from the family for Hinton. Hinton in his autobiography "Bass Line" described the tone as magnificent and said it was one of the reasons for his long success in the New York recording studios in the 1950s, and 1960s.

He later became a television staff musician, working regularly on shows by Jackie Gleason and later Dick Cavett. His work can be heard on the Branford Marsalis album Trio Jeepy.

Hinton twice received awards from the National Endowment for the Arts for his work as a jazz educator: a music fellowship in 1977 and an NEA Jazz Master award in 1993.

According to a search of The Jazz Discography, Hinton is the most-recorded jazz musician of all time, having appeared on 1,174 recording sessions.

Also a fine photographer, Hinton documented many of the great jazz musicians via photographs he took over the course of his career. Hinton was one of the best friends of jazz trumpeter Louis Armstrong.

Hinton died in Queens, New York City, New York at age 90.

As leader

 * 1955: Milt Hinton	 	Bethlehem High Fidelity
 * 1955: Basses Loaded
 * 1955: Milt Hinton Quartet	 	Bethlehem High Fidelity
 * 1956	: The Rhythm Section	 	Epic
 * 1975: Here Swings the Judge	 	Progressive
 * 1977: The Trio	 	(Chiaroscuro Records)
 * 1984: Back to Bass-ics	 	Progressive
 * 1984: The Judge's Decision	 	Exposure
 * 1990: Old Man Time	 	Chiaroscuro
 * 1994: The Trio: 1994	 	Chiaroscuro
 * 1994: 	Laughing at Life

As sideman
With John Benson Brooks With Kenny Burrell With Curtis Fuller With Lionel Hampton With Langston Hughes With Milt Jackson With Willis Jackson With Elvin Jones With Mundell Lowe With Johnny Lytle With Helen Merrill With Charles Mingus With Ike Quebec With Sonny Stitt With Ralph Sutton and Ruby Braff With Clark Terry With Ben Webster
 * Alabama Concerto (Riverside, 1958) – with Cannonball Adderley
 * Blue Bash! (Verve, 1963) – with Jimmy Smith
 * Images of Curtis Fuller (Savoy, 1960)
 * Cabin in the Sky (Impulse!, 1962)
 * You Better Know It!!! (Impulse!, 1965)
 * Weary Blues (MGM, 1958)
 * The Ballad Artistry of Milt Jackson (Atlantic, 1959)
 * Cool "Gator" (Prestige, 1960)
 * Blue Gator (Prestige, 1960)
 * Cookin' Sherry (Prestige, 1960)
 * Together Again! (Prestige, 1960 [1965]) - with Jack McDuff
 * Together Again, Again (Prestige, 1960 [1966]) - with Jack McDuff
 * Time Capsule (Vanguard, 1977)
 * New Music of Alec Wilder (Riverside, 1956)
 * Got That Feeling! (Riverside, 1963)
 * Helen Merrill with Strings (EmArcy, 1955)
 * Merrill at Midnight (EmArcy, 1957)
 * The Complete Town Hall Concert (Blue Note, 1962 [1994])
 * Charles Mingus and Friends in Concert (Columbia, 1972)
 * Heavy Soul (Blue Note, 1961)
 * It Might as Well Be Spring (Blue Note 1961)
 * Easy Living (Blue Note, 1962)
 * Broadway Soul (Colpix, 1965)
 * The Matadors Meet the Bull (Roulette, 1965)
 * I Keep Comin' Back! (Roulette, 1966)
 * Remembered (Arbors Records)
 * The Happy Horns of Clark Terry (Impulse!, 1964)
 * The Soul of Ben Webster (Verve, 1958)