Frankie and Johnny (song)

"Frankie and Johnny" (sometimes spelled "Frankie and Johnnie"; also known as "Frankie and Albert" or just "Frankie") is a traditional American popular song. It tells the story of a woman, Frankie, who finds that her man Johnny was "making love to" another woman and shoots him dead. Frankie is then arrested; in some versions of the song she is also executed.

History
The song was inspired by one or more actual murders. One of these took place in an apartment building located at 212 Targee Street in St. Louis, Missouri, at 2:00 on the morning of October 15, 1899. Frankie Baker (1876 – 1952), a 22-year-old woman, shot her 17-year-old lover Allen (also known as "Albert") Britt in the abdomen. Britt had just returned from a cakewalk at a local dance hall, where he and another woman, Nelly Bly (also known as "Alice Pryor"), had won a prize in a slow-dancing contest. Britt died of his wounds four days later at the City Hospital. On trial, Baker claimed that Britt had attacked her with a knife and that she acted in self-defense; she was acquitted and died in a Portland, Oregon mental institution in 1952.

In 1899, popular St Louis balladeer Bill Dooley composed "Frankie Killed Allen" shortly after the Baker murder case. The first published version of the music to "Frankie and Johnny" appeared in 1904, credited to and copyrighted by Hughie Cannon, the composer of "Won't You Come Home Bill Bailey"; the piece, a variant version of whose melody is sung today, was titled "He Done Me Wrong" and subtitled "Death of Bill Bailey."

The song has also been linked to Frances "Frankie" Stewart Silver, convicted in 1832 of murdering her husband Charles Silver in Burke County, North Carolina. Unlike Frankie Baker, Silver was executed.

Another variant of the melody, with words and music credited to Frank and Bert Leighton, appeared in 1908 under the title "Bill You Done Me Wrong;" this song was republished in 1912 as "Frankie and Johnny," this time with the words that appear in modern folk variations:
 * Frankie and Johnny were sweethearts
 * They had a quarrel one day,
 * Johnny he vowed that he would leave her
 * Said he was going away,
 * He's never coming home, etc.

Also:
 * Frankie took aim with her forty-four,
 * Five times with a rooty-toot-toot.

The 1912 "Frankie and Johnny" by the Leighton Brothers and Ren Shields also identifies "Nellie Bly" as the new girl to whom Johnny has given his heart. What has come to be the traditional version of the melody was also published in 1912, as the chorus to the song "You're My Baby," with music is attributed to Nat. D. Ayer.

The familiar "Frankie and Johnny were lovers" lyrics first appeared (as "Frankie and Albert") in On the Trail of Negro Folksongs by Dorothy Scarborough, published in 1925; a similar version with the "Frankie and Johnny" names appeared in 1927 in Carl Sandburg's The American Songbag.

Several students of folk music have asserted that the song long predates the earliest published versions; according to Leonard Feather in his Biographical Encyclopedia of Jazz it was sung at the Siege of Vicksburg (1863) during the American Civil War and Sandburg said it was widespread before 1888, while John Jacob Niles reported that it emerged before 1830. The fact, however, that the familiar version does not appear in print before 1925 is "strange indeed for such an allegedly old and well-known song," according to music historian James J. Fuld, who suggests that it "is not so ancient as some of the folk-song writers would have one believe."

Recordings
At least 256 different recordings of "Frankie and Johnny" have been made since the early 20th century. Singers include Lead Belly, Mississippi John Hurt, Jimmie Rodgers, Les Paul and Mary Ford, Roscoe Holcomb, Big Bill Broonzy, Frank Crumit, Johnny Cash, Pete Seeger, Mississippi Joe Callicott, Charlie Patton, Taj Mahal, Charlie Poole, Sam Cooke, Lena Horne, Lonnie Donegan, Bob Dylan, Jerry Lee Lewis, Elvis Presley, Gene Vincent, Fats Waller, Van Morrison, Michael Bloomfield, Brook Benton, Lindsay Lohan, Jack Johnson, Burl Ives, and Stevie Wonder.

As a jazz standard it has also been recorded by numerous bands and instrumentalists including Louis Armstrong, Count Basie, Bunny Berigan, Dave Brubeck, Duke Ellington, and Benny Goodman. Champion Jack Dupree set his version in New Orleans, retitling it "Rampart and Dumaine."

Films
The story of Frankie and Johnny has been the inspiration for several films, including Her Man (1930, starring Helen Twelvetrees), Frankie and Johnnie (1936, starring Helen Morgan), and Frankie and Johnny (1966, starring Elvis Presley). Terrence McNally's 1987 play, Frankie and Johnny in the Clair de Lune, was adapted for a 1991 film titled Frankie and Johnny starring Al Pacino and Michelle Pfeiffer.

In 1930 director and actor John Huston wrote and produced a puppet play titled Frankie and Johnnie based on the Frankie Baker case. One of Huston's main sources was his interview with Baker and Britt’s neighbor Richard Clay.

Comedian Harry Langdon performed the song in his 1930 short "The Fighting Parson," in a variant on his vaudeville routine originally performed in blackface. Mae West inserted her ballad in her successful Broadway play Diamond Lil. West sang the ballad again in her 1933 Paramount film She Done Him Wrong, which takes its title from the refrain, substituting genders. The song was used in the 1932 film Red-Headed Woman, in a scene where actress Jean Harlow's character is drinking and lamenting having been jilted by her married lover. It is also sung by a river boat crew in Bed of Roses, a film released the following year. Yvonne De Carlo sings the song while masquerading as an opera singer in The Gal Who Took the West.

Mia Farrow, in the role of Jacqueline De Bellefort, sang/hummed a drunken rendition of the song in the 1978 version of Agatha Christie's Death on the Nile, just before she attempts to shoot her former lover, Simon Doyle, played by Simon MacCorkindale.

The climax of Robert Altman's 2006 film A Prairie Home Companion is Lindsay Lohan's rendition of the song with quasi-improvisatory lyrics by Garrison Keillor.

The tune is often used for comic effect in animated cartoon shorts, such as those produced by Warner Bros. or MGM in the 1940s and 1950s, as a theme or leitmotif for a meretricious or zaftig woman. The song was the basis of a 1951 UPA cartoon Rooty Toot Toot, directed by John Hubley. It was nominated for an Academy Award for Best Short Subject.

Other media
Daniel Clowes drew a comics adaptation of a somewhat explicit version of the song's lyrics. It is included in the collection Twentieth Century Eightball.

e.e. cummings used "Frankie and Johnie" as the centerpiece for his 1927 play Him.

The radio series Suspense did a dramatization of the lyrics on May 5, 1952 with singer Dinah Shore as Frankie. The script was subsequently produced on February 3, 1957 with singer Margaret Whiting.

Chicago's Redmoon Theater Company presented an adaptation of the Frankie and Johnny story at Steppenwolf Theater in 1997. The soundtrack was composed by Michael Zerang and performed by Fred Armisen, Fred Lonberg-Holm, and Jeremy Ruthrauff.