Hazel Scott

Hazel Dorothy Scott (June 11, 1920 – October 2, 1981) was an internationally known, American jazz and classical pianist and singer; she also performed as herself in several films. She was prominent as a jazz singer throughout the 1930s and 1940s. In 1950, she became the first woman of color to have her own TV show, The Hazel Scott Show, featuring a variety of entertainment. To evade the political persecution of artists in the McCarthy era, Scott moved to Paris in the late 1950s and performed in France, not returning to the United States until 1967.

Born in Port of Spain, Hazel was taken at the age of four by her mother to New York. Recognized early as a musical prodigy, Scott was given scholarships from the age of eight to study at the Juilliard School. She began performing in a jazz band in her teens and was performing on radio at age 16.

Hazel Scott was born in Port of Spain, Trinidad and Tobago, to Alma Long Scott, a musician. They moved to New York City when Hazel was four. Recognized as a child musical prodigy, the young Scott was awarded scholarships to study classical piano at the Juilliard School from the age of eight. As a teenager, she performed piano and trumpet with her mother’s "Alma Long Scott" all-girl jazz band, which sometimes featured Lil Hardin Armstrong.

Music career

File:Hazel Scott 1962.jpg

Hazel Scott during a visit to Israel, 1962

By the age of 16, Hazel Scott regularly performed for radio programs for the Mutual Broadcasting System, gaining a reputation as the “hot classicist.” In the mid-1930s, she also performed at the Roseland Dance Hall with the Count Basie Orchestra. Her early musical theatre appearances in New York included the Cotton Club Revue of 1938, Sing Out the News and The Priorities of 1942.

Throughout the 1930s and 1940s, Scott performed jazz, blues, ballads, popular (Broadway songs and boogie-woogie) and classical music in various nightclubs. From 1939 to 1943 she was a leading attraction at both the downtown and uptown branches of Café Society. Her performances created national prestige for the practice of “swinging the classics”. By 1945, Scott was earning $75,000 ($Template:Inflation todayTemplate:Inflation-fn) a year.

In addition to Lena Horne, Scott was one of the first African-American women to garner respectable roles in major Hollywood pictures. She performed as herself in several features, notably I Dood It (MGM 1943), Broadway Rhythm (MGM 1944), with Lena Horne and in the otherwise all-white cast The Heat's On (Columbia 1943), Something to Shout About (Columbia 1943), and Rhapsody in Blue (Warner Bros 1945). In the 1940s, in addition to her film appearances, Scott was featured in Café Society’s From Bach to Boogie-Woogie concerts in 1941 and 1943 at Carnegie Hall.

She was the first woman of color to have her own television show, The Hazel Scott Show, which premiered on the DuMont Television Network on July 3, 1950. Thereafter, she guest starred in an episode of CBS's Faye Emerson's Wonderful Town musical series.

With the beginning of political intimidation during the years of Senator Joseph McCarthy's influence, Scott was called to testify by the House Un-American Activities Committee (HUAC). Her television variety program was cancelled soon afterward on September 29, 1950. This was also a time of continued racism in the advertising industry and economic hardships for jazz musicians in general. Scott remained publicly opposed to McCarthyism and racial segregation throughout her career.

To evade the oppression in the United States, Scott moved to Paris in the late 1950s. She appeared in the French film Le Désordre et la Nuit’ (1958). She maintained a steady but difficult career in France and touring throughout Europe. She did not return to the US until 1967. By this time the Civil Rights Movement had led to federal legislation ending racial segregation and enforcing the protection of voting rights of all citizens; most African Americans in the South could vote again, after nearly 100 years of many being excluded from the franchise. Other social changes were underway.

Scott continued to play occasionally in nightclubs, while also appearing in daytime television until the year of her death. She made her television acting debut in 1973, on the ABC daytime soap opera One Life to Live, performing a wedding song at the nuptials of her "onscreen cousin", Carla Gray Hall, portrayed by Ellen Holly.

Scott recorded as the leader of various groups for Decca, Columbia and Signature, among them, a trio that consisted of Bill English and the double bass player Martin Rivera, and another featuring Charles Mingus on bass and Rudie Nichols on drums. Her album Relaxed Piano Moods on the Debut Record label, with Mingus and Max Roach, is generally her work most highly regarded by critics today.

Marriage

In 1945, Scott, who was a Catholic, married Adam Clayton Powell, Jr., a Baptist minister and U.S. Congressman, in Connecticut.Template:R They had one child, Adam Clayton Powell III, but divorced in 1960 after a separation.

On January 19, 1961, she married Ezio Bedin, a Swiss-born comedian.

Death

On October 2, 1981, Hazel Scott died of cancer at Mount Sinai Medical Center in New York City. She was 61 years old, and survived by her son Adam Clayton Powell III. She was buried at Flushing Cemetery in Queens, New York, near other musicians such as Louis Armstrong, Johnny Hodges, and Dizzy Gillespie.

Legacy

Scott was best-known internationally as a performer of jazz. She was also accomplished in politics, leading the way for African Americans in entertainment and film; and was successful in dramatic acting and classical music. She was noted for her swinging style, performing at the Milford Plaza Hotel in her last months.

Sources

• “Bye-Bye Boogie: Hazel Scott leaves night clubs and moves to concert stage.” Ebony, November 1945: 31-34.
• “Café Society Concert.” Time Magazine, 5 May 1941.
• “Hazel Scott is Queen Once More in Warner’s ‘Rhapsody in Blue”, Chicago Defender, 1 September 1945: 14.
• McAfee, J., Jr., “Scott, Hazel”, CBY 1943 Obituary, JSN, ii/4 (1982), 19.
• Bogle, Donald. 2001. “The Hazel Scott Show”, in Primetime Blues: African Americans on Network Television. New York: Farrar, Straus and Giroux, pp. 15–19.
• Chilton, Karen. Hazel Scott: The Pioneering Journey of a Jazz Pianist from Cafe Society to Hollywood to HUAC (University of Michigan Press 2008)
• Feather, Leonard. “Swinging the Classics,” The New York Times',' 18 May 1941: X5.
• McGee, Kristin. “Swinging the Classics: Hazel Scott and Hollywood’s Musical-Racial Matrix,” in Some Liked it Hot: Jazz Women in Film and Television, 1928-1959 (Middletown, CT: Wesleyan University Press 2009 http://www.upne.com/0-8195-6907-0.html]) 113-133.
• Myter-Specner, D.: “Hazel Scott, Jazz Pianist: Boogie-woogie and Beyond,” Jazz Research Papers, x (1990), 75.
• Reed, Bill. 1998. “The Movies: Hazel Scott”, in Hot From Harlem: Profiles in Classic African American Entertainment, Los Angeles: Cellar Door Press, pp. 110–128.
• Taubman, E. 1941. “Café Music Heard at Carnegie Hall”, The New York Times, 24 April 24: 24.
• Taubman, E. 1943. “Swing feature Soviet Benefit: Café Society assures at least a thousand watches for the Russian Fighting Forces,” The New York Times, 12 April 1943: 28.
• Taylor, A. “Hazel Scott”, Notes and Tones: Musician-to-Musician Interviews (Liège, Belgium, 1977, rev. and enlarged 2/1993).

External links

• Hazel Scott at IMDB

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